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The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe. In the German states and Bohemia, gowns remained short-waisted, tight-laced but without corsets or stays. The open-fronted gown laced over the kirtle or a stomacher or plackard. Sleeves were puffed and slashed, or elaborately cuffed.
A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
The tight lacing of corsets worn in the 19th and early 20th centuries emphasized both cleavage and the size of the bust and hips. Evening gowns and ball gowns were especially designed to display and emphasize the décolletage. [43] [44] Elaborate necklaces decorated the décolletage at parties and balls by 1849. [92]
Anne of Denmark had her gowns altered in 1603 to suit English fashions, and employed Robert Hughes to make farthingales from 1603 to 1618. [28] Robert Naunton thought that Anne's farthingale might conceal a pregnancy in October 1605, writing, "The Queen is generally held to be pregnant, but no appearance eminent by reason of the short vardugals ...
The dress is decorated with blue ribbons and a blue shawl draped around the breasts. She has pearls, and her hair is braided in a knot in the back, but is worn in loose curls over her ears. Young Dutch girl wears a rose jacket-bodice and a plain pink petticoat. Her hair is worn in a wound braid with small curls over her ears. 1658–60.