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A novel is a long, fictional narrative. The novel in the modern era usually makes use of a literary prose style. The development of the prose novel at this time was encouraged by innovations in printing, and the introduction of cheap paper in the 15th century. Several characteristics of a novel might include:
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
Ian Watt's The Rise of the Novel is seen as a major contribution for establishing how the novel appeared as a literary form during the 18th century. [1] [3] [4] [9] Also much of the discussion and commentary for over forty years, about the novel's beginnings, center on Watt's ideas in this book. [3]
Portrait of Samuel Richardson by Joseph Highmore. National Portrait Gallery, Westminster, England.. The English novel is an important part of English literature.This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922).
Aspects of the Novel is a book based on a series of lectures delivered by E. M. Forster at Trinity College, Cambridge, in 1927, in which he discusses the English language novel. By using examples from classic texts, he highlights what he sees as the seven universal aspects of the novel, which he defined as: story, characters, plot, fantasy ...
The chapter introduces the topic. It discusses the "beginning" and the "meaning" of a novel, the socio-cultural conventions/rules and the methodology of linking the individual events, which may be used in this narrative form, as well as the interactions of these elements. As a special case the autobiographical novel (it's me, who tells) is ...
In this essay, Bakhtin attempts to outline a theory of the novel and its unique properties by comparing it to other literary forms, in particular the epic.Bakhtin sees the novel as capable of achieving much of what other forms cannot, including an ability to engage with contemporary reality, and an ability to re-conceptualize the individual in a complex way that interrogates his subjectivity ...
Sarah Lyall in The New York Times writes ahead of publication that Brodsky's decision to entitle the novel *** "does present its own difficulties". [1] The novel was reviewed by Brian Evenson in Review of Contemporary Fiction, [2] Scott L. Powers in the Boston Globe, [3] and Judith Upjohn in American Book Review, [4] as well as in Publishers Weekly [5] and Library Journal.