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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's ...
Agincourt. The English camp. 292 IV 2 The French camp. 63 IV 3 Agincourt. The English camp. 135 IV 4 The field of battle. 69 IV 5 Another part of the battlefield. 25 IV 6 Another part of the battlefield. 39 IV 7 Another part of the battlefield. 173 IV 8 Before King Henry's pavilion. 119 V Pr. 45 V 1 France. The English Court of Guard. 80 V 2 ...
Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text. Othello public domain audiobook at LibriVox Cultural references to Othello at the Internet Broadway Database – lists numerous productions. Othello study guide, themes, quotes, multimedia, and teacher resources
A rifle on display. Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary and irrelevant elements should be removed.
In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included enjambments, irregular pauses and stops, and extreme variations in sentence structure and length. [11] In Macbeth, for example, the language darts from one unrelated metaphor or simile to another in one of Lady Macbeth's well-known ...
Clown in Othello; Clown in Titus Andronicus; Costard in Love's Labours Lost – This clown is referred to as a "fool" in Act V, scene ii, but the word in this context simply refers to a silly man. He is not simple enough to be considered a natural fool, and not witty enough to be considered an artificial one.
He is the most famous playwright in the history of the world, and Othello is the most well-known Black character in all of theatre. In fact, Othello has achieved an archetypal status of mythic proportion. But portraits of Othello, the character, or Othello the syndrome (morbid jealousy), all appear to have been painted by non-Black people.