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Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Ame ni mo makezu. Ame ni mo makezu (雨ニモマケズ, 'Be not Defeated by the Rain')[1] is a poem written by Kenji Miyazawa, [2] a poet from the northern prefecture of Iwate in Japan who lived from 1896 to 1933. It was written in a notebook with a pencil in 1931 while he was fighting illness in Hanamaki, and was discovered posthumously ...
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
The Bard (poem) The Bard. (poem) Title-page of The Bard illustrated by William Blake, c. 1798. The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I 's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent ...
Alone (Poe) "Alone" by Edgar Allan Poe. " Alone " is a 22-line poem originally written in 1829, and left untitled and unpublished during Poe's lifetime. The original manuscript was signed "E. A. Poe" and dated March 17, 1829. [1] In February of that year, Poe's foster mother Frances Allan had died.
Publication history. "All Watched Over by Machines of Loving Grace" was first published by the Communication Company, the publishing arm of the Diggers —a street theater and activist group in the Haight-Ashbury area of San Francisco—on an 8.5-by-11-inch (216 by 279 mm) mimeographed broadside with both the title and imprint handwritten. [1]
The Scholar Gipsy. " The Scholar-Gipsy " (1853) is a poem by Matthew Arnold, based on a 17th-century Oxford story found in Joseph Glanvill 's The Vanity of Dogmatizing (1661, etc.). It has often been called one of the best and most popular of Arnold's poems, [1] and is also familiar to music-lovers through Ralph Vaughan Williams ' choral work ...
Emma Baldwin writes on Poem Analysis that the title poem, Zoom!, which appears last in the book, makes use of a variety of literary devices including alliteration, enjambment, and imagery. The poem is in free verse but has structure, each couplet consisting of a long line and a much shorter line, in Baldwin's view forcing the reader to move ...