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Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse . Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example ...
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
In the poem “Painted Tongue,” Byas writes: “We twist and turn in the mirror,/ my mother and I becoming each other,/ her bruises and scars passed down,/ family heirlooms that will take/ me ...
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
The poem was one of Whitman's most popular during his lifetime, particularly during the Reconstruction era. The scholar Ed Folsom notes that it was his most anthologized poem in those years. Folsom felt that the poem found its success because of the vast populations that could relate to the loss of a family member during the war. [8]
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [8] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
Pages in category "Poems about death" The following 55 pages are in this category, out of 55 total. This list may not reflect recent changes. A.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...