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Quiet City for trumpet, alto saxophone, B ♭ clarinet (doubling bass clarinet), and piano (1939)—Aaron Copland; Quartet No. 1 for Trumpet, Tenor Saxophone, Piano and Percussion (1950/1954)—Stefan Wolpe [59] All Set for alto saxophone, tenor saxophone, trumpet, trombone, bass, piano, vibraphone, and percussion (1957)—Milton Babbitt [60]
Judith Shatin, Hearing the Call for 2 trumpets and 2 snare drums; Juan María Solare, Aquelarre (tercera noche de Walpurgis) for 3 trumpets; Fun-fare for 4 trumpets and a drum Fricción for 2 trumpets. Thomas Stevens, A New Carnival of Venice for four trumpets and orchestra; Triangles for 3 trumpets. Karlheinz Stockhausen, Donnerstags Abschied ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Reads Alto Clef Soprano trombone: C4 May be B ♭ 3 like a B ♭ trumpet Bass Trombone C4 The Bass Trombone is the same as the Tenor Trombone except it has a larger bore and an extra trigger Contrabass Trombone C4 Plays the same notes as a tuba Trumpet: C Piccolo Trumpet: C 5: Piccolo trumpet: B ♭ 4: Piccolo Trumpet in A A 4: F trumpet F 4: E ...
The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. [6] The album features what Coleman called a “double quartet,” i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. [7]
Another version of this duet has been published on Yo-Yo Ma's album Notes For The Future. [12] 2021, Motis, Mike Mossman and WDR Big Band Cologne produced Colors & Shadows. [13] Loopholes (2022) is an album of the namesake quintet which Motis co-leads with her husband Christoph Mallinger, an Austrian jazz violinist. [14]