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Now That's What I Call the 80s is a special edition compilation album from the Now! series in the United States, containing hit songs from the 1980s. It was released on March 11, 2008. In addition to a traditional CD release, an 80-track "deluxe digital edition" was made available for download only on iTunes. [2]
The album is the eighth edition of the Now! series in the U.S. It peaked at number two on the Billboard 200 and has been certified 3× Platinum by the RIAA . [ 2 ] Three tracks selected for the album, " Bootylicious ", " Stutter " and " U Got It Bad ", had reached number one on the Billboard Hot 100 .
Now That's What I Call the 80s is a special edition of the (UK) Now series, released on October 29, 2007. The three-CD set has 60 hits from the 1980s. The three-CD set has 60 hits from the 1980s. Track listing
The AT40 specials are also part of XM's rotation; for instance, "AT40 Goes to the Movies" aired prior to the 2007 Academy Awards, and on February 24, "The Top 40 Acts of the 80s So Far" aired on XM 80s the first week of July 2007. Also, "The Top 40 Songs of the Disco Era (1974–1979)" aired on Sirius XM "70s on 7" the second weekend of July 2011.
Dave Grohl, Tim McGraw. Shutterstock (2) Music lovers, unite! The iHeartRadio Music Festival is back for 2023 — and it’s gearing up to be a weekend of epic proportions. Related: Be a Style ...
The soundtrack features two new recordings by Culture Club—"The Dream" and "Love Is Love"—as well as a song performed by Culture Club backing singer Helen Terry ("Now You're Mine") and a song written by fellow Culture Club members Boy George and Roy Hay ("Electric Dreams", performed by P. P. Arnold). All of these were released as singles ...
NOW 80s is a British free-to-air music television channel, focusing exclusively on playing music from the 1980s. The channel launched in its current form on 27 December 2016, initially as a temporary pop-up rebrand of Now Music, previously a contemporary pop channel. The 80s format was subsequently made permanent.
[11] Matthew Monagle of The Playlist wrote "the soundtrack plays like a never-ending Spotify list of charted ’80s songs". [12] Gary M. Kramer of Salon.com believed that the interspersions with 80s tunes throughout the film were necessary, writing that "the wall-to-wall music keeps viewers engaged because the story is more talk than action". [13]