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Galicia was then taken over by the Visigothic Kingdom when the Suebian kingdom fell apart. Galicia came under the control of the Moors after they defeated the Visigoths in 717 but Moorish rule was little more than a short lived military occupation, although an indirect Moorish musical influence arrived later, through Christian troubadours ...
Little is known about the Suebi who crossed the Rhine on the night of 31 December 406 AD and entered the Roman Empire. It is speculated that these Suevi are the same group as the Quadi, who are mentioned in early writings as living north of the middle Danube, in what is now lower Austria and western Slovakia, [3] [4] and who played an important part in the Germanic Wars of the 2nd century ...
The Chronicle of Hydatius is the main source for the history of the Suebi in Galicia and Portugal up to 468. Identity and Interaction: the Suevi and the Hispano-Romans, University of Virginia, 2007; Medieval Galician anthroponomy; Minutes of the Councils of Braga and Toledo, in the Collectio Hispana Gallica Augustodunensis
A century later, the differences between Gallaeci and Suebi people had faded, which led to the systematic use of terms like Galliciense Regnum [7] (Galician Kingdom), Regem Galliciae [8] (King of Galicia), Rege Suevorum (King of Suebi), and Galleciae totius provinciae rex (king of all Galician provinces), [9] while bishops, such as Martin of ...
Pages in category "Music of Galicia" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. A. A Raíña Lupa; G.
This province took the name of Gallaecia since it was the most populous and important zone within the province. In 409, as Roman control collapsed, the Suebi conquests transformed Roman Gallaecia (convents Lucense and Bracarense) into the Kingdom of Galicia (the Galliciense Regnum recorded by Hydatius and Gregory of Tours).
Most recently, some recordings of Rumbas gallegas in which the Cuban rhythmic component is highlighted have been produced in Galicia. We can point out, among others, a version of the “Rumba dos cinco marinheiros” by the renowned group Muxicas., [6] where we can perceive the well known “clave cubana” rhythm in the instrumental background.
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