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Porcelain image of John Barleycorn, c .1761. The first song to personify Barley was called Allan-a-Maut ('Alan of the malt'), a Scottish song written prior to 1568; [3]. Allan is also the subject of "Quhy Sowld Nocht Allane Honorit Be", a fifteenth or sixteenth century Scots poem included in the Bannatyne Manuscript of 1568 and 17th century English broadsides.
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada.
The song's B-side, "Go Girl, Go", has the singer complaining about having to "stand in line" to see his girlfriend now that she is a "hip-swingin', fringe-slingin' Watusi go go girl". It is featured in the compilation album Essential Pebbles, Volume 1 , where it is incorrectly titled "Go Go Girl" in the track listing, and attributed to "unknown ...
[4] [8] The song "Flight of the Ibis" has a melody and rhythm similar to King Crimson's "Cadence and Cascade," with different lyrics. [3] The album contains a guest appearance by Steve Winwood, playing organ and piano on "Turnham Green". Winwood's group Traffic were working on John Barleycorn Must Die at Island Studios at the same time. [9]
In a review of One Way Home, David Fricke of Rolling Stone described the song as a "powerful pop KO of TV pulpit pounders", with its "core riff" being "a metallic jig figure – sort of Boston meets John Barleycorn – fattened up with iron-fist guitar chords and Close Encounters synth effects". [9]
"The Men Behind the Wire" is a song written and composed by Paddy McGuigan of the Barleycorn folk group in the aftermath of Operation Demetrius. The song describes police raids in Northern Ireland by British security forces during the Troubles, and the "men behind the wire" refers to those interned without trial at HM Prison Maze, HM Prison Magilligan and onboard HMS Maidstone.
The song's spoken introduction – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and the temptations of Eve" – dates to the 1947 novelty recording, "Cigareets, Whuskey and Wild, Wild Women", by Red Ingle and His Natural Seven.
I'm a Man You Don't Meet Every Day" is a traditional Scottish or Irish music hall song [1] written from the point of view of a rich landowner telling the story of his day while buying drinks at a public house. According to Archie Fisher, the song is "an Irish narrative ballad that has been shortened to an Aberdeenshire drinking song". [1]