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A century later, apprised of paintings of Atalanta and Helen without drapery and "enflamed with lust", Caligula attempted to carry them off, but was prevented by the makeup of the plaster. [4] Maiuri cites examples of wall paintings in wooden frames excavated at Pompeii, a precursor to what was to follow in the 18th and 19th centuries.
The frames around paintings are not just for aesthetic appearances. Frames are also used to protect the more sensitive parts of a painting when handled by hand, and they reduce the potential for damage if the painting is dropped. [3] There are also specialists that work on the conservation and restoration of painting frames.
Fake or Fortune? was created by art dealer and historian Philip Mould, together with producer Simon Shaw. It was inspired by Mould's 2009 book Sleuth, after which the programme was originally to be entitled. [4] It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first five ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Mold is a dangerous library pest because of the damage it causes to the collections. Mold thrives off of paper and books; these objects provide the fungi a source of nutrition, namely the sugar and starches present in the cellulose materials. [6] Mold feeds on cloth, leather, glues, adhesives, cellulose starch and starches in the sizing.
This list is ordered by consumer price index inflation-adjusted value (in bold) in millions of United States dollars in 2024. [note 1] Where necessary, the price is first converted to dollars using the exchange rate at the time the painting was sold. The inflation adjustment may change as recent inflation rates are often revised.