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The song, as sung by the Corley Family (in a style that might be called "folk-primitive")can be heard on-line. [1] More recently it has been recorded by a number of different Gospel quartets, and it is still the theme song of the Stamps Quartet. A version of the song was recorded in 2000 by James Blackwood. [2]
"Satin Sheets" is a song written by John Volinkaty, and originally recorded by Bill Anderson and Jan Howard on their March 1972 duet album, Bill & Jan or (Jan & Bill). It was then famously covered by American country music artist Jeanne Pruett in February 1973 as the first single and title track from her album of the same name .
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
The following is a list of works by P. D. Q. Bach, a fictitious Bach family member, the alter ego of composer Peter Schickele.The first section lists, in alphabetical order, those works which have been recorded, are listed in the annotated catalogue of P. D. Q. Bach music in The Definitive Biography of P.D.Q. Bach, and/or are listed on the Theodore Presser website.
At the end of World War II they were sponsoring 35 such quartets. The company also had a quartet who sang on radio station KRLD in Dallas, beginning in 1936. This station would boost its transmitting power at midnight, so that it could be heard across the nation. An additional part of the Stamps-Baxter music empire was a magazine, Gospel Music ...
None of this was helped by the band's uncompromisingly noncommercial musical approach, which they sometimes used the term "abstract music" to describe. [ 2 ] [ 3 ] Nor was the band willing to cooperate with the label's attempts to promote them, even going so far as on one occasion to miss a concert planned for them in Philadelphia, and instead ...
The Primitives returned to the studio with original producer Paul Sampson, recording the EP Never Kill a Secret, [2] featuring two original songs — the title track and "Rattle My Cage" — and two cover versions of lesser-known female-fronted songs — "Need All the Help I Can Get" (written by Lee Hazlewood and originally recorded by Suzi ...
In 1910 the song was published and introduced to the public with performances by the vaudeville quartet The Orpheus Comedy Four. After the group performed the song at a Woolworth store in Kansas City it became so popular that the store sold all 1,000 copies of the sheet music Taylor had brought with him.