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The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
A miked guitar speaker in an isolation cabinet is run into another channel of the mixing console. The DI signal and miked guitar speaker can then be selectively blended, with the DI providing a more immediate, present, bright sound, and the microphone and guitar speaker providing a colored, distant, darker sound.
During the installation phase, audio engineers ensure that high-power electrical components are safely installed and connected and that ceiling or wall-mounted speakers are properly mounted (or "flown") onto rigging. When the sound reinforcement components are installed, the audio engineers test and calibrate the system so that its sound ...
Each system consists of a mixing board, sound processing equipment, amplifiers, and speakers. The microphones that are used to pick up vocals and amplifier sounds are routed through both the main and monitor systems. Audio engineers can set different sound levels for each microphone on the main and monitor systems.
A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band ...