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"Lullaby of the Leaves" is a musical composition by composer Bernice Petkere and lyricist Joe Young. A Tin Pan Alley song first performed in 1932, the jazz standard is considered the biggest critical and commercial success of Petkere's composing career. [1] [2] The song was a hit for George Olsen and his Music in 1932. [3]
Born in Chicago, Illinois, United States, she began performing in vaudeville as a child."Starlight (Help Me Find The One I Love)" (1931), her first published song, was recorded by Bing Crosby. [1]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
He became known for a piano technique known as "The Shearing Sound", or "Shearing voicing", a type of double melody block chord, with an additional fifth part that doubles the melody an octave lower. With the piano playing these five voices, Shearing would double the top voice with the vibraphone and the bottom voice with the guitar to create ...
Layton & Johnstone were an American vocal and piano duo in the 1920s and 1930s, consisting of Turner Layton and Clarence "Tandy" Johnstone. After forming in New York City in 1922, they moved to England two years later and met with immediate success. Between 1924 and 1935, they sold over 10 million records. [1]
Francy Boland - piano, arranger; Benny Bailey, Tony Fisher, Duško Gojković, Idrees Sulieman - trumpet; Nat Peck, Åke Persson, Eric van Lier - trombone; Derek Humble - alto saxophone; Johnny Griffin, Ronnie Scott, Tony Coe - tenor saxophone; Sahib Shihab - baritone saxophone; Jimmy Woode - bass
Four Choruses in Old Sonata Form for 3 men's voices/choir and harp, organ or piano (1914) (H.W. Gray, 1918) Prelude to Olaf Bolm for Piano (1926) (Carl Fischer, 1926) Breaking in the New Year for Piano (1935) Offriam for Cello (1951) Volute and Rondel for Flute (1951) (Albert Andraud, Southern) Marya Freund for Piano (1956) Enigme for Piano (1960)
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.