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Ram ki Paidi, as seen at night during Diwali celebrations in Ayodhya people can be seen lighting diyas on the ghat. Sarayu ghat during day time. Ram ki Paidi (Hindi: राम की पैड़ी) is a series of ghats on the bank of the Saryu river in Ayodhya, India. A large number of pilgrims visit daily to take a bath in the holy waters. [1]
Ki Jaana Main Kaun; Kis Din Mera Viyah Howay Ga; Kis Ki Ayegi Baraat series (2009–2012) Annie ki Ayegi Baraat (2012) Azar Ki Ayegi Baraat (2009) Dolly Ki Ayegi Baraat (2010) Takkay ki Ayegi Baraat (2011) Kitna Satatay Ho; Koi Chand Rakh; Kuch Kar Dikha; Khudparast; Khuda Aur Mohabbat; Khuda Aur Mohabbat; Khuda Aur Mohabbat 3; Khan; Kasa-e-Dil ...
Panoramic view of Ram ki Paidi ghat. Ayodhya is an important place of pilgrimage for the Hindus. A verse in the Brahmanda Purana names Ayodhya among "the most sacred and foremost cities", the others being Mathura, Haridvara, Kashi, Kanchi and Avantika. This verse is also found in the other Puranas with slight variations. [23]
The grand set of the series and the production cost ₹5.5 crore (55 million rupees). [14] Initial scenes were shot in Dubai and Rajkot. [15] In August 2013, Sphere Origins took over the production of the series from Sanjay Leela Bhansali Films Pvt Ltd, [16] after which, in January 2014, the storyline deviated from the novel as Saras and Kumud ...
Gharwali Uparwali Aur Sunny [25] 2006–2007 Golu Ke Goggles [26] 2003–2004 Hatim: 2003–2004 Karishma Kaa Karishma: 2004–2005 Kabhi Khushi Kabhi Dhoom [27] 2002–2004 Kyun Hota Hai Pyarrr [28] 2004–2005 Princess Dollie Aur Uska Magic Bag. [29] 2014–2015 Nisha Aur Uske Cousins: 2002–2004 Shaka Laka Boom Boom: 2003–2006 Shararat ...
A ghazal is composed of five or more ashaar (singular she'r), which are complete texts even when pulled from the rest of the ghazal. [4] In the vast majority of ghazals, there is not logical connection or flow between ashaar in terms of content or theme.
This article lists Urdu-language films in order by year of production.Below films are mostly from Pakistan along with some Indian Urdu movies. For a full list of Pakistani films, including Punjabi language, Bengali language films and Urdu see List of Pakistani films.
Pakistani feminists are usually concerned about depiction of women in Pakistani drama TV serials, they receive many of those with skepticism & reservation. [11] [12] UK based Pakistani feminist Tasneem Ahmar, whose research institute focuses on the women-media relationships, complaints 99.99% of TV drama in Pakistan is misogynist, patriarchal medieval in its depiction and treatment of women ...