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It failed to generate any Top 40 singles, although "I Love You More Than You'll Ever Know" and "I Can't Quit Her" found some play on progressive rock radio. In 2012, the album was ranked number 266 on Rolling Stone magazine's list of the 500 greatest albums of all time .
Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums. [5] "I Can't Quit You Baby" was a vehicle for arranger-producer Dixon to launch Rush and Cobra Records, as it was the first single for both. [3]
"I Can't Quit You Baby" was another Willie Dixon-penned blues number. It was recorded live in the studio, and arranged in a slower and more laid-back style compared to some of the other material on the album. [20] "How Many More Times" was the group's closing live number in their early career.
The cover became their biggest hit, reaching #20 on the US singles chart, and they followed it with the release of an album that included their interpretations of Bob Dylan's "Like a Rolling Stone", The Doors' "Touch Me", Blood, Sweat & Tears' "I Can't Quit Her" (US #67), and Simon & Garfunkel's "For Emily, Whenever I May Find Her".
D/F ♯ (alternately notated D major/F ♯ bass) notated in regular notation (on top) and tabulature (below) for a six-string guitar. Play ⓘ.. In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter.
"For Emily, Whenever I May Find Her" is a song written by Paul Simon and recorded by American music duo Simon & Garfunkel on their third studio album, Parsley, Sage, Rosemary and Thyme (1966). It is sung solely by Art Garfunkel , and consists mainly of his vocals with heavy reverb and a 12-string acoustic guitar.
Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
At eight and a half minutes, "How Many More Times" is the longest song on the album. It is one of three Led Zeppelin songs on which Page used bowed guitar. [5]In an interview he gave to Guitar World magazine in 1993, Page stated that the song "was made up of little pieces I developed when I was with the Yardbirds, as were other numbers such as 'Dazed and Confused'.