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Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.
Italian fashion of the 1470s featured short overgowns worn over doublets, and hats of many shapes. Hats in a variety of styles are also worn by this group of French noblemen in high-collared overgowns lined with fur, c. 1470. Late in the 15th century, a new style of loose overgown with revers and collar appeared. Italy, 1495.
Italian fashion uniquely featured a broad U-shape rather than a V. [14] Spanish women also wore boned, heavy corsets known as "Spanish bodies" that compressed the torso into a smaller but equally geometric cone. [23] Bodices could be high-necked or have a broad, low, square neckline, often with a slight arch at the front early in the period.
The article of clothing depicted resembles a corset, but is worn as an outer garment, and leaves the breasts exposed. [3] Corsets have been used for centuries among the Circassians and Abkhaz tribes of the Caucasus region. They were used to "beautify" women and also to ensure modesty.
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine, with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.