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The Medici were still able to show their wealth on the exterior through their building material choices. The rusticated blocks soon became seen as a status symbol as the materials were costly and rare. They also, later, became a large part of power politics that was believed to have started with the Palazzo Medici Riccardi. [10]
The Biblioteca Riccardiana is an Italian public library under the aegis of the Ministry of Culture, located inside the Palazzo Medici Riccardi at 10 Via de’ Ginori in Florence, in the neighborhood comprising the Mercato Centrale and the Basilica di San Lorenzo.
Gozzoli's patron, Piero de' Medici, felt some of the seraphim were unsuitable, and wanted them painted over. Although the artist agreed to do this, it was never actually done. [citation needed] In 1659, the Riccardi family bought the Palazzo Medici and undertook some structural changes. This included, in 1689, the building of an exterior flight ...
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the large Hellenistic horse's head (known as the Medici Riccardi head after the first place it was displayed, in the Medici's Riccardi palace), fragment of an equestrian statue, which inspired Donatello and Verrocchio in two famous equestrian monuments in Padua and Venice. two Archaic marble kouroi, displayed in a corridor
The Medici villas are a series of rural building complexes in Tuscany which were owned by members of the Medici family between the 15th century and the 17th century. The villas served several functions: they were the country palaces of the Medici, scattered over the territory that they ruled, demonstrating their power and wealth.
The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C.
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