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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
Violin Sonata in E-flat major, KV 26, see Violin Sonatas, KV 26–31 (Mozart) Violin Sonata in E-flat major (Ries) No. 2 of the Violin Sonatas, Op. 120 (Brahms) , arranged from the Clarinet Sonatas, Op. 120
Symphonies concertantes in A major (C.34) and B-flat major (C.46) [1] Alexander Bakshi. Winter in Moscow; Ice-covered ground … for violin, cello and string orchestra (1994) Four Elements from Hedmark, Op.85 (2011) Rainer Bischof. Double Concerto (1980) Konrad Boehmer. Il combattimento (1989–90) Johannes Brahms. Double Concerto in A minor (1887)
Mozart wrote the piano trio on 10 sheets (19 pages) [1] in Vienna and dated the manuscript on 5 August 1786. [2] According to Mozart's 17-year-old student Karoline Pichler, the work was dedicated to another student of Mozart's, Franziska von Jacquin; Mozart and the von Jacquin family – father Nikolaus Joseph von Jacquin and his youngest son Gottfried – were quite close friends. [3]
Unlike Mozart's other works for violin and keyboard, the first edition was printed with a separate ad libitum cello part for all six sonatas. The part mostly doubles the principal notes in the left hand part of the keyboard in the manner of Haydn's early piano trios (e.g. Trio No. 5 in G minor, Hob.
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...
The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue.