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Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
The following other wikis use this file: Usage on en.wikisource.org Page:Character of Renaissance Architecture.djvu/45; Character of Renaissance Architecture/Chapter 2
Nowadays, it might also be worn as a push-up bra under a low-backed dress or as a camisole for outerwear. The bustier can also be worn as a half-slip under sheer upper garments if a bold display of the midriff is not desired. [1] A bustier resembles a basque, but it is shorter. It reaches down only to the ribs or waist.
A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
On Saturday, the actor graced the carpet at the 62nd New York Film Festival, wearing an airy gown that debuted less than a week ago at Paris Fashion Week. Emma Stone Embraces The Boho Renaissance ...
In the 1939 film The Wizard of Oz, American entertainer Judy Garland wore a blue-and-white dress in her seminal role as Dorothy Gale throughout the film. Also nicknamed the "Dorothy dress", [1] [2] [3] it was designed for the film by MGM costume designer Adrian, who based it on L. Frank Baum's description of Dorothy's dress in his children's book The Wonderful Wizard of Oz (1900).
The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown featured a fitted back and open front skirt to display decorated underskirts, as in the Robe à la Française. [10] The final version of the mantua, which emerged around 1780, bore little resemblance to the original mantua of nearly a century earlier.