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Open gown over stomacher, 1753. A stomacher is a decorated triangular panel that fills in the front opening of a woman's gown or bodice. The stomacher may be boned, as part of a stays, or may cover the triangular front of a corset. If simply decorative, the stomacher lies over the triangular front panel of the stays, being either stitched or ...
Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4
Anne of Denmark had her gowns altered in 1603 to suit English fashions, and employed Robert Hughes to make farthingales from 1603 to 1618. [28] Robert Naunton thought that Anne's farthingale might conceal a pregnancy in October 1605, writing, "The Queen is generally held to be pregnant, but no appearance eminent by reason of the short vardugals ...
The man's houppelande was belted at the waist, whereas the woman's was belted beneath the bust. [6] Unlike the woman's houppelande, which was always floor-length, the man's houppelande could be of any length. Some men wore houppelandes that extended only as far as the buttocks, prompting critics to claim that they looked like women from behind. [4]
Nowadays, it might also be worn as a push-up bra under a low-backed dress or as a camisole for outerwear. The bustier can also be worn as a half-slip under sheer upper garments if a bold display of the midriff is not desired. [1] A bustier resembles a basque, but it is shorter. It reaches down only to the ribs or waist.
On Saturday evening, the actor graced the carpet at the 62nd New York Film Festival, wearing an airy striped gown that debuted a mere five days ago at Paris Fashion Week. Her fresh ensemble was ...
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
For hawking, this woman wears a pink sleeveless gown over a green kirtle, with a linen veil and white gloves. Codex Manesse , 1305–40 Women making pasta wear linen aprons over their gowns. Their sleeves are unbuttoned at the wrist and turned up out of the way, late 14th century Many Italian women wear their hair twisted with cord or ribbon ...