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It, for a time, formed the nucleus of the American Gallery of Painting, erected by his cousin, John Haviland of Philadelphia. [8] After being cut from its frame and dragged "like a wet blanket" from the building it was displayed in to save the painting from a fire in 1846, the painting came into the possession of Arcbhishop James Wood .
Pages in category "Paintings of the Presentation of Christ at the Temple" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes .
Presentation of Christ in the Temple is an oil-on-wood painting by the Italian Renaissance painter Fra Bartolomeo, most likely commissioned by Pope Leo X for the Epiphany of 1516. It originally hung in the novices' chapel in San Marco, Florence. [1] It is inscribed with the year 1516.
The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis.
English: Picture of Tanner in his workshop, painting "Christ In the Temple". From the magazine article: [Note: text in public domain, published 1900] The picture upon which Mr. Tanner is now working will be the largest one he has yet painted, and is perhaps the most ambitious in many respects .
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
Manichaean Painting of the Buddha Jesus; Manichaean temple banner MIK III 6286; The Marriage Feast at Cana (Bosch) The Merciful Knight; The Miraculous Draft of Fishes (Witz) Modena Triptych; Mogao Christian painting; Murals from the Christian temple at Qocho
The episode of the twelve-year-old Jesus in the temple is taken from the Gospel of Luke (Lk 2.42-50), and is often depicted in Christian art, for example in cycles on the life of Mary. Liebermann had the idea for this painting when he visited the Jewish quarter of Amsterdam in 1876.