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The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
The Apollonian and Dionysian is a two-fold philosophical concept based on two figures in ancient Greek mythology, Apollo and Dionysus. This relationship takes the form of a dialectic . [ 133 ] Even though the concept is related to The Birth of Tragedy , the poet Hölderlin had already spoken of it, and Winckelmann had talked of Bacchus .
Nietzsche's description of aesthetic rapture has been linked to the concept of a Dionysian experience and involves the totality and unity of corporeal-physical. [1] For Nietzsche, rapture represents the living nature of man and is the highest form of pleasure - that pleasure of life asserting itself and surviving. [ 1 ]
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It deeply influenced the aesthetics of Friedrich Nietzsche, although he ultimately rejected Schopenhauer's conception of Will as evil, whose famous opposition of the Apollonian and Dionysian is a translation of Schopenhauer's opposition of intellect against will in terms of Greek mythology.
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