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Sohni Mahiwal is a tragic love story which inverts the classical motif of Hero and Leander. The heroine Sohni, unhappily married to a man she despises, swims every night across the river using an earthenware pot to keep afloat in the water, to where her beloved Mahiwal herds buffaloes.
The forecast is partly historical roots, probably originating in the 14th century and has been handed down by the Dengbêj. She describes, in precise and poetic language, the story of the ill-fated love of Mem and Zin. Against the background of chivalric traditions and social conventions. This version is the version of the folk tale the next. [5]
Mirza and Sahiban under the tree. Mirza Sahiban [a] (Punjabi: [mɪɾzaː saːɦɪbãː]) is a traditional Punjabi tragedy originally written by the 17th-century poet Pilu.Set in a village in Jhang, the tragedy follows the romance between two youths, belonging to chieftain families of their respective clans, their elopement and eventual demise.
Introducing tragic motive into the play was limited and attempt at delineating the character or action was considered a denial of the existing legend and the fabrication of a new one. Therefore, Bhat is a solitary case of a daring experiment in Sanskrit dramatic literature as he breaks away from the traditional epic framework.
The Butterfly Lovers is a Chinese legend centered around the tragic romance between Liang Shanbo (梁山伯) and Zhu Yingtai (祝英臺), whose names form the Chinese title of the story. The title is often abbreviated as Liang Zhu ( 梁祝 ).
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Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending. Although Aristotle says that catharsis (purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil ...
A 24-year-old English teacher who killed himself after battling a gambling addiction started betting on Fixed Odds Betting Terminals (FOBTs) when he was at school aged 16 or 17, an inquest heard.