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The history of the Laurel Lamp Company begins with Max Weiss, a Polish tinsmith who immigrated to the United States in the early 20th century. In 1913, Weiss and his uncle, Aaron Habacht, formed a lamp company called, Habacht and Weiss, selling oil lamps, gas ceiling fixtures and coach lanterns. When electricity became more widely available in ...
Edward Miller & Co. (1844–1924) was formed in Meriden, Connecticut, and is primarily known as a historical manufacturer of lamps. The company also made brass kettles and oil heaters. In 1866, the corporation was formed with capital of US$200,000.
The Champagne Standard Lamps are made of copper alloy. They stand 1.6 metres (5.2 ft) high. They each comprise ten stacked champagne coupes, some of which function as ashtrays, mounted on papier-mâché trays and surmounted by light fittings. [1] The V&A considers them among "the most important examples of Surrealist lighting in Britain". [14]
Today, torchère lamps use fluorescent, halogen, or LED light bulbs. Adjusting the pulse-width modulation in the electronic ballast can allow the fluorescent torchères to be dimmed. Halogen torchères usually came with a simple switch. Some more expensive models have a TRIAC dimmer circuit built into the stem. Early lamps with 300W bulbs ...
Shortly thereafter, he set up a new company, J. B. Owens Floor & Wall Tile, with a new factory across the street from his former operations. [2] For a few years the new company made both art pottery and tiles, but within a few years it stopped producing art pottery altogether. [ 2 ]
MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.