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Various German language blackletter typefaces English blackletter typefaces highlighting differences between select characters Modern interpretation of blackletter script in the form of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks ...
This category contains Blackletter typefaces, including the varieties of textura, fraktur, rotunda, and schwabacher. Pages in category "Blackletter typefaces" The following 9 pages are in this category, out of 9 total.
These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis heavily used these fonts themselves, although the shift remained controversial; in fact, the press was at times scolded for its frequent use of "Roman characters" under "Jewish influence" and German émigrés were ...
Wallau was designed at a time of renewed interest in blackletter type shapes. While Koch was sympathetic to the Nazi cause and the grotesque blackletter category as well as his designs were embraced by the Nazis until they banned all blackletters in 1941, [3] the publication of the Wallau typeface clearly predated the Nazi regime. It has seen ...
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Tannenberg Bold. Tannenberg is a Fraktur-family blackletter typeface, developed between 1933 and 1935 by Erich Meyer at the type foundry D. Stempel AG in Frankfurt am Main.The design followed the "New Typography" principles of Jan Tschichold that promoted "constructed" sans serif typefaces.