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In China, Japan's use of propaganda films was extensive. After Japan's invasion of China, movie houses were among the first establishments to be reopened. [3] Most of the materials being shown were war news reels, Japanese motion pictures, or propaganda shorts paired with traditional Chinese films. [3]
Internally, the Japanese propaganda machine displayed images of the war through the utilization of a variety of forms of visual media. The Ueno Panorama Hall and the Nippon Panorama Hall displayed images of the war to mold the image of the war in the minds of the Japanese people. [6]
Between 1937 and 1945, Japan’s military leaders commissioned official war artists to create images of the Second Sino-Japanese War and the Pacific War. Approximately 200 pictures depicting Japan’s military campaigns were created. These pictures were presented at large-scale exhibitions during the war years. [2]
Front was established in 1942. [1] It was modeled on the Soviet propaganda magazine entitled SSSR na Stroike (Russian: USSR in Construction). [1] The publisher of Front was Tōhōsha (Japanese: Far East Company) which was founded by Okada Sozo in 1941 to launch the magazine. [1]
Shashin Shūhō (Japanese: 写真週報; Weekly Photographical Journal) was an illustrated propaganda magazine of the Cabinet Intelligence Department which was published in Japan between 1938 and 1945. It was one of the most successful propaganda publications of Japan.
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
English: Digitized version of a World War II era propaganda poster. Including an extreme and dramatized representation of the Japanese, this image was intended to sway perceptions of the Japanese during World War II.