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A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The Choir of the French Army at the Lons-le-Saunier Theater.. A men's chorus or male voice choir (MVC) (German: Männerchor), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters TTBB.
The upper pitch range of the human voice is, on average, about half as high in males as in females. [3] Even after controlling for body height and volume, the male voice remains lower. Charles Darwin suggested that the human voice evolved through intersexual sexual selection, [ 4 ] via female mate choices.
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G 3 to D 5 or E 5, [1] although a sopranist (a specific kind of countertenor) may match the soprano's range of around C 4 to C 6. [2]
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Justin Bieber first became popular as a boy soprano with a "female" sounding voice. [29] In early 2011, his voice deepened from the high-pitched treble he had as a child [30] to the tenor voice that he currently has as an adult. [31] Bobby Breen was a Canadian-American child actor who first became famous for singing around 1935, aged 9.
The whistle register is the highest phonational register, that in most singers begins above the soprano "high D" (D 6 or 1174.6 Hz) and extends to about an octave above (D 7 or 2349.3 Hz). It is created by using only the back of the vocal folds. The lower part of the whistle register may overlap the upper parts of the modal and falsetto ...
Flight for Heaven (1952), song-cycle for voice & piano; Four Dialogues (1953–1954), for soprano, tenor, & two pianos; Three Poems for Demetrios Capetanakis (1954), for voice & piano; Poèmes pour la paix (1953–1956), for medium voice & strings; Five Poems of Walt Whitman (1957), for voice & piano; Two Poems of Theodore Roethke (1959) for ...