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The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
He led the Paku Alaman palace gamelan as well as the gamelan for the Radio Republik Indonesia Yogyakarta, and taught gamelan in universities around the world. He was also a noted composer and rebab performer. On March 9, 2004, he received the Nugraha Bhakti Musik Indonesia Award.
In Gamelan gong kebyar, Kotekan is usually played on the higher-pitched gangsa and reyong as embellishment to the main melody played on the calung and ugal. The busy upper registers of the gamelan are the domain of the gangsas and reyong. These instruments spin out kotekan, the crackling ornamental fireworks of Balinese music. Kotekan is ...
Man playing kenong in a gamelan orchestra (1966) The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the ...
This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze , welded and cold-hammered iron , or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village ...
Amplang, also known as kerupuk kuku macan, is an Indonesian traditional savoury fish cracker snack commonly found in Indonesia [2] and Malaysia. [3] Amplang crackers are commonly made of ikan tenggiri or any type of Spanish mackerel, mixed with starch and other materials before being deep-fried.
This multi-octave melody is the one given in kepatihan notation, the cipher notation used for gamelan pieces. Lagu is a related term, which is used by Sumarsam and is sometimes translated as "inner melody." [citation needed] It can mean the multi-octave balungan, or a more implicit melody. There is no consensus on the use of either term, and ...
The kecer (or kecèr) are a pair of small cymbals set inside a rack (rancak) used in the gamelan of Indonesia. The rack is similar in design to that of a saron, except less wide. The bottom cymbals are permanently fixed in the rack, while the top are attached by a cord to the bottom ones. They are used in the accompaniment of wayang.