Ad
related to: citizen kane essays
Search results
Results From The WOW.Com Content Network
"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz , first-credited co-author of the screenplay, and questioned the contributions of Orson Welles , who co-wrote ...
Bazin's essays, especially "The Technique of Citizen Kane," played a crucial role in enhancing the film's reputation, arguing it revolutionized film language and aesthetics. His defense of Citizen Kane as a work of art influenced other critics and contributed to a broader re-evaluation of the film in Europe and the United States.
Bazin's essays, especially "The Technique of Citizen Kane," played a crucial role in enhancing the film's reputation, arguing it revolutionized film language and aesthetics. His defense of Citizen Kane as a work of art influenced other critics and contributed to a broader re-evaluation of the film in Europe and the United States.
Novella-length essay 'Raising Kane' is ranked no. 40 on our list of the best Hollywood books of all time because it started a fight that forced everyone to take a side.
Among her more popular essays were a damning 1973 review of Norman Mailer's semi-fictional Marilyn: a Biography (an account of Marilyn Monroe's life); [37] an incisive 1975 look at Cary Grant's career; [38] and "Raising Kane" (1971), a book-length essay on the authorship of the film Citizen Kane that was the longest piece of sustained writing ...
Mankiewicz is best known for his collaboration with Orson Welles on the screenplay of Citizen Kane, for which they shared an Academy Award. The authorship later became a source of controversy. Pauline Kael attributed Kane ' s screenplay to Mankiewicz in a 1971 essay that was and continues to be strongly disputed.
The assumption that the character of Susan Alexander Kane was based on Marion Davies was a major reason Hearst tried to destroy Citizen Kane. [34] Davies's nephew Charles Lederer insisted that Hearst and Davies never saw Citizen Kane, but condemned it based on the outrage expressed by trusted friends. Lederer believed that any implication that ...
Questions over the authorship of the Citizen Kane screenplay were revived in 1971 by influential film critic Pauline Kael, [4]: 494 whose controversial 50,000-word essay "Raising Kane" was printed in two consecutive issues of The New Yorker and subsequently as a long introduction to the shooting script in The Citizen Kane Book. [22]