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A June 4 roundup of the best albums of the year so far by Consequence of Sound included this release at 18 and Jonah Krueger called it "razor sharp", with "hummable riffs, huge choruses, and sticky refrains". [13]
Consequence of Sound was founded in September 2007 by Alex Young, then a student at Fordham University in The Bronx, New York. [4] The website took its original name from the Regina Spektor song "Consequence of Sounds". [5]
Distance Over Time is the fourteenth studio album by American progressive metal band Dream Theater, released on February 22, 2019, and the band's first release on Inside Out Music. [ 1 ] [ 2 ] Distance over Time was announced alongside a tour of North America during which Dream Theater would support the new album and celebrate the 20th ...
Exploding in Sound is an American independent record label started by Dan Goldin and Dave Spak while students at Northeastern University. It is based in New York City. It is based in New York City. The label was founded in 2011 and has released albums from Speedy Ortiz , Pile , LVL UP , and Porches .
[19] Randall Colburn of Consequence of Sound wrote that the album is "frontloaded with generic dance-pop tracks", and evoked that the release is "weighted down by a parade of faceless women, many of whom are reduced to mere sexual objects, resulting in a record that reeks of adolescent rebellion at best and pandering at worst."
Consequence of Sound and Pitchfork both reported again, after the release of the Christmas single, that multiple sources could confirm a reunion in 2016. [11] [12] On January 4, 2016, it was announced that LCD Soundsystem would be headlining the 2016 Coachella Festival.
The Song Remains Not the Same is a compilation album by American heavy metal band Black Label Society, released on May 10, 2011.It features new cover songs, acoustic versions of songs originally released on Order of the Black, and compiles bonus tracks from various releases of that album.
Jon Blistein of Rolling Stone and Ben Kaye of Consequence of Sound both noted the dance influences in Trouble's Coming, with Blistein describing the song as the band injecting "a bit of dancefloor energy into their hard rock sound", [3] and Kaye describing the song as a "dance floor stomper". [14]