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The MPG-80 is the optional programmer designed specifically for the MKS-80, providing direct access to the majority of the MKS-80's features. The MPG-80 connects to the MKS-80 via the Controller port using a special cable. When used with an MPG-80, the MKS-80's MIDI IN port is not used in favor of the MIDI IN on the MPG-80.
A Edirol Studio Canvas SD-80 displaying a user saved patch. Studio Canvas was a series of PCM sound modules with built in audio interfaces (some models only) sold under both Edirol and Roland branding. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible ...
An AX80 appears in the video for Kim Mitchell's song "All We Are", played by Pye Dubois, although the manufacturer's name is blacked out. Greek synth-pop duo Marsheaux and U.K alternative act Spacehotel are also said to use the AX80, as is '90s dance act Rodeo Jones and Mark Bell of LFO on Björk's Homogenic album.
The Ensoniq SQ-80 is a digital/analog synthesizer manufactured from 1987 to 1989. It was Ensoniq 's update to its first synth, the Ensoniq ESQ-1 . Compared to the ESQ-1, the SQ-80 includes 43 additional waveforms (including five drumkits), an enhanced sequencer, and a floppy disk drive for storing patches and sequences.
The XP-80 includes 64 preset combinations of up to 15 existing patches and 1 rhythm set. These patch and rhythm set combinations are referred to as "performances" in Roland parlance. There are an additional 32 user memory locations to store user configurable performances. There is a built-in backlit LCD display of 320 by 80 pixels.
The Yamaha S80 is an 88-weighted-key [1] synthesizer, produced by Yamaha Corporation. It was released as Yamaha's flagship stage and studio synthesizer in 1999, [2] and retailed for approximately US $3,000 before its discontinuation in 2002. It was superseded by the S90. The S80 is 1,330 millimetres (52 in) long, 157 millimetres (6.2 in) high ...
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
The manuals and tutorial documents were clearly written and highly musician-oriented, allowing the users to quickly get satisfactory results from their machines. In 1988, the company enlisted the Dixie Dregs in a limited edition promotional CD Off the Record which featured the band using the EPS sampler and SQ-80 cross wave synthesizer.