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The fonts were originally developed by Steve Matteson as Ascender Sans and Ascender Serif, and were also the basis for the Liberation fonts licensed by Red Hat under another open source license. [2] In July 2012, version 2.0 of the Liberation fonts, based on the Croscore fonts, was released under the SIL Open Font License. [6]
Download QR code; Print/export ... This list of samples of serif typefaces details standard serif fonts used in printing, ... Example 2 Example 3 Adobe Jenson
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
Hightower Text is a serif typeface designed by Tobias Frere-Jones. It is loosely based on the printing of Nicolas Jenson in Venice in the 1470s, in what is now called the "old style" of serif fonts. [1] Begun by Frere-Jones while he was a student, it was originally used in AIGA's magazine and released commercially by Font Bureau.
The Braille Institute named the finished product after the institute's founder, J. Robert Atkinson, [5] and released it on its website through a custom license; [6] in 2021, they made it available through Google Fonts under the SIL Open Font License. [7] [8] In 2019, Atkinson Hyperlegible won Fast Company 's Innovation by Design Award for ...
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.