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Sekaha Gong Kusuma Sari (Floral Essence Gamelan Club) Balinese gong kebyar: Traditional, with some modern pieces such as those composed by David Harnish and student composers Bowling Green State University ensemble, directed by Kurt Doles; the director emeritus is David Harnish. The ensemble was founded 1990, replacing an earlier gamelan with a ...
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
Gamelan angklung [1] Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding ...
Gamelan (/ ˈ ɡ æ m ə l æ n /; [2] Balinese: ᬕᬫ᭄ᬩᭂᬮ᭄ᬮᬦ᭄; Javanese: ꦒꦩꦼꦭꦤ꧀, romanized: gamelan (in the ngoko register), ꦒꦁꦱ, gangsa (in the krama register); [3] Sundanese: ᮌᮙᮨᮜᮔ᮪) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up ...
In Gamelan gong kebyar, Kotekan is usually played on the higher-pitched gangsa and reyong as embellishment to the main melody played on the calung and ugal. The busy upper registers of the gamelan are the domain of the gangsas and reyong. These instruments spin out kotekan, the crackling ornamental fireworks of Balinese music. Kotekan is ...
In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan, which allowed interpretation of the music as well as a fast tempo. This development, known as the gamelan gong kebyar, was manifested early on in legong dances (specifically, kebyar legong), from which I Mario drew his inspiration. [2]
The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument that is part of a Balinese gamelan gong kebyar.Traditionally, a single gamelan craftsman's workshop would construct, upon commission, a unified and uniquely tuned set of bronze instruments, numbering twenty or more, the sum total of which would constitute a gamelan gong kebyar.
The ugal is an instrument in the Indonesian gamelan orchestra. It is a bronze metallophone played one handed with a small hammer, often in a dance-like manner. There are usually ten keys, giving a maximum range spanning about two octaves. Like the gangsa and gendér, they are suspended over tuned bamboo resonators.