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"To your wishes" or "health". Old-fashioned: after the second sneeze, "to your loves", and after the third, "may they last forever". More archaically, the translation is "God bless you". Merci or Merci, que les tiennes durent toujours (old-fashioned) after the second sneeze "Thank you" or "Thanks, may yours last forever" after the second sneeze
It always involves God, because when you will the good of another person, you realize only God is capable of bringing that. So we naturally say, "God bless you." You can bless someone when you will their good under the invocation of God. You invoke God on their behalf to support the good that you will for them. This is the nature of blessing.
When responding to the sneeze of a child, the latter can be expanded to Tsu gezunt, tsum lebn, tsum vaksn, tsum kveln ('Your health, your life, your growth, your joy') and other like expressions. [6] In modern Hebrew , the most commonly-used phrase is livri'ut ( לִבְרִיאוּת , sometimes also לַבְּרִיאוּת , labri'ut , both ...
For how common sneezing is — other animals sneeze too Sneezing can be caused by crazy things like being too full, seeing a bright light, or even orgasm. Why people say 'bless you' after sneezing
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
After the opening, the four note motif is extended throughout in the bass part to five notes by preceding it by a dotted quaver: the slow tempo facilitates semiquaver scales in the pedal. In the sixth bar the soprano and the bass play the highest and lowest notes in the Weimar organ's register, the two C's above and below middle C.
This theme is used throughout to provide harmonic structure. The "question" is harmonized using E-flat minor chords, the "answer" by E-flat major chords. After a brief, highly syncopated middle section, the melodic pair returns assertively in octaves, causing a battle between major and minor. Major wins, and the piece concludes with a flourish.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.