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"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. [ 4 ]
"Sing a Simple Song" is a 1968 song by the soul/funk band Sly and the Family Stone, the B-side to their #1 hit "Everyday People". The song is sung in turn by Sly Stone, Freddie Stone, Rose Stone, and Larry Graham, with shouted spoken word sections by Cynthia Robinson.
The song's title and lyrics are a call for its listeners to "stand" up for themselves, their communities, and what they believe in. Like nearly all of Sly & the Family Stone's songs, Sylvester "Sly Stone" Stewart was credited as the sole songwriter. The original mix of "Stand!"
"Everyday Life" is a song by British rock band Coldplay from their eighth studio album of the same name. [1] It was released on 3 November 2019 and sent to United Kingdom and Italy's contemporary hit radio as a promotional single in the following weeks. [ 2 ]
Life Is People is the fourth studio album by English singer, pianist and songwriter Bill Fay, released by Dead Oceans in August 2012. Fay had been without a record label after being dropped by Deram Records following the release of his second album, Time of the Last Persecution in 1971, and could not secure a release for his third album Tomorrow, Tomorrow & Tomorrow.
"People Everyday" is a song by American hip hop group Arrested Development, released in July 1992 as the second single from their debut album, 3 Years, 5 Months & 2 Days in the Life Of... (1992). The song reached number eight on the US Billboard Hot 100 chart and became the group's biggest hit in the United Kingdom, where it peaked at number ...
"Every Kinda People" is a song originally performed by English singer Robert Palmer on his 1978 album Double Fun. It was released as the album's lead single in March 1978. It was released as the album's lead single in March 1978.
"Everyday" is a woozy electropop and trap song built around a grinding beat and a thrumming bassline. One of Grande's more lyrically explicit songs, the lyrics speak of sexual satisfaction. The track received mixed reviews from music critics who appreciated its production, but they were neutral towards Future's feature.