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'victory'; [nǐː.kɛː]) is the goddess who personifies victory in any field including art, music, war, and athletics. [3] She is often portrayed in Greek art as "Winged Victory" in the motion of flight; [4] however, she can also appear without wings as "Wingless Victory" [5] when she is being portrayed as an attribute of another deity such as ...
The Winged Victory of Samothrace, or the Niké of Samothrace, [2] is a votive monument originally discovered on the island of Samothrace in the northeastern Aegean Sea.It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC (190 BC).
Victoria (or Nike) on a fresco from Pompeii, Neronian era. In ancient Roman religion Victoria was the deified personification of victory. She first appeared during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia.
It depicted a winged goddess, holding a palm branch and descending to present a laurel wreath. A modern historian reflects on the importance of the altar and the statue: At this Altar of Victory senators burned incense, offered prayers annually for the welfare of the empire, took their oaths and pledged on the accession of each new emperor.
The Nike of Paionios is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios (Paeonius of Mende) between 425 BC and 420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms ...
The Nike of Megara (Greek: Νίκη των Μεγάρων) is a large ancient Greek marble sculpture of the late fourth or early third century BC.The Hellenistic statue depicts Nike, the winged Greek goddess of victory; its arms, wings and head are not preserved.
Nike was originally the "winged victory" goddess (see the winged Nike of Samothrace). The Athena Nike statue's absence of wings led Athenians in later centuries to call it Apteros Nike or wingless victory, and the story arose that the statue was deprived of wings so that it could never leave the city.
She is standing with armour, cannons, and muskets at her feet, and her triumphs are underlined by emblems of victory. She carries a small statue of the winged goddess in her right hand, a smaller winged figure is mounted below the plumes of her helmet, while cupids hover above her, holding a laurel crown. Her portrayal contrasts with Rembrandt ...