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The New York Times was criticized for the work of reporter Walter Duranty, who served as its Moscow bureau chief from 1922 through 1936.Duranty wrote a series of stories in 1931 on the Soviet Union and won a Pulitzer Prize for his work at that time; however, he has been criticized for his denial of widespread famine, most particularly the Holodomor, the Ukraine famine in the 1930s.
In his 1950 review of the film in The New York Times, Bosley Crowther panned the film, sparing only Holm: "Some of his [Vincent Price's] broad aberrations offer faintly satirical thrusts at advertising genius, but most of them are duds. Mr. Coleman's exquisite urbanity wears awfully thin as time goes on. ...
John Leland (born 1959) is an author and has been a journalist for The New York Times since 2000. [1] [2] [3] He began covering retirement and religion in January 2004. During 1994, Leland was editor-in-chief of Details magazine. [2] [4] [5] He was also a senior editor at Newsweek, an editor and columnist at Spin magazine, and a reviewer for ...
The New York Times Book Review (NYTBR) is a weekly paper-magazine supplement to the Sunday edition of The New York Times in which current non-fiction and fiction books are reviewed. It is one of the most influential and widely read book review publications in the industry. [2] The magazine's offices are located near Times Square in New York City.
This is a list of lists by year of The New York Times number-one books. The New York Times Best Seller list was first published without fanfare on October 12, 1931. [1] [2] It consisted of five fiction and four nonfiction for the New York City region only. [2] The following month the list was expanded to eight cities, with a separate list for ...
Champagne itself is sexier than a running shoe or a smartphone, for one thing, while the sinuous vineyards of 19th-century Reims are a more seductive setting for a brand-building story than a ...
The film is "based on Tilar J. Mazzeo's New York Times bestseller The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It" and focuses on "the true story behind the Veuve Clicquot champagne family and business that began in the late 18th century", although with multiple embellishments. [68]
Robert Delaunay (French: [ʁɔbɛʁ dəlonɛ]; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; [1] who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes.