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It should only contain pages that are Spinal Tap (band) albums or lists of Spinal Tap (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Spinal Tap (band) albums in general should be placed in relevant topic categories .
This Is Spinal Tap (or simply Spinal Tap) is the soundtrack to the film This Is Spinal Tap, released in 1984. It was re-released in 2000 with lyrics and two versions of "Christmas with the Devil" as bonus tracks. The cover art is identical to that of the fictional album Smell the Glove featured in the film.
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones , his debut single with a band singing lead vocals since being fired from the Clash in 1983.
Bottom Line is an album by the English musician John Mayall, released in 1979. [1] It was produced by Bob Johnston . [ 2 ] It is the only Mayall album that has never been released on CD.
The Bottom Line Encore Collection is the fourth live album by Harry Chapin, released in 1998 (see 1998 in music) as a two-CD compilation. It was recorded at the Village in New York, and was Harry's two-thousandth concert. The setlist was composed of songs throughout Harry's music career (1972–1981).
For both of these rules of thumb (85%/90% and major minus pitch), the tap drill size yielded is not necessarily the only possible one, but it is a good one for general use. The 85% and 90% rules works best in the range of 1 ⁄ 4 –1 in (6.4–25.4 mm), the sizes most important on many shop floors. Some sizes outside that range have different ...
The Allmusic review states, "There's more spontaneity, emotion, and charisma in the vocals on this album than on almost all her other releases combined". [ 2 ] Professional ratings
Drillers tend to be young; many prominent musicians in the scene started getting attention while still in their teens. [38] One of the genre's most prominent musicians, Chief Keef, was 16 when he signed a multi-million dollar record contract with Interscope, [39] and in an extreme example, Lil Wayne co-signed the 13-year-old driller Lil Mouse. [40]