Ad
related to: ritual fire dance arthur rubinstein
Search results
Results From The WOW.Com Content Network
Manuel de Falla, composer of Ritual Fire Dance. Ritual Fire Dance (Spanish: Danza ritual del fuego) is a movement of the ballet El amor brujo [1] (The Bewitched Love), written by the Spanish composer Manuel de Falla in 1915. It was made popular by the composer's own piano arrangement. [2] The dance has a duration of about three to four and a ...
Frédéric Chopin – Polonaise héroïque – Arthur Rubinstein, piano; Manuel de Falla – "Ritual Fire Dance" – Arthur Rubinstein, piano; Eduardo di Capua – "’O sole mio" – sung by Jan Peerce (tenor) Giuseppe Verdi – "Il lacerato spirito" from Simon Boccanegra – sung by Ezio Pinza (bass)
Arthur Rubinstein (January 28, 1887 – December 20, 1982) was a Polish-American pianist. [1] His first recording was made in 1910, but his major recording career was between 1928 and 1976. Overview
Arthur Rubinstein KBE OMRI (Polish: Artur Rubinstein; 28 January 1887 – 20 December 1982) was a Polish-American pianist. [1] He is widely regarded as one of the greatest pianists of all time. [ 2 ] [ 3 ] [ 4 ] He received international acclaim for his performances of the music written by a variety of composers and many regard him as one of ...
Fantasía Bética – for piano, dedicated to Arthur Rubinstein (1919) Canto de los remeros del Volga (del cancionero musical ruso) ("Song of the Volga boatmen") (1922) Pour le tombeau de Paul Dukas (1935) – piano (1935); orchestrated as the third part of Homenajes
Manuel de Falla (27 October 1919) Manuel de Falla y Matheu (Spanish pronunciation: [maˈnwel de ˈfaʎa], 23 November 1876 – 14 November 1946) was a Spanish composer and pianist.
Arthur Benjamin Rubinstein (March 31, 1938 – April 23, 2018) was an American Emmy Award-winning composer. [1] He composed several television series soundtracks and songs for film scores. He was frequently hired by film director John Badham , and the majority of his movie soundtracks are found in Badham's work, including Whose Life Is It Anyway?
Arthur Rubinstein was in the audience that night, and he introduced the work to Buenos Aires. The Paris premiere took place in January 1920, with the pianist Joaquín Nin playing under Fernández Arbós. The composer himself was the soloist at the London premiere in 1921, at a Queen's Hall concert under the baton of Edward Clark. [3]