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The Guerilla Filmmakers Handbook is a bestselling [1] textbook on low-budget and independent film production written by Chris Jones and Genevieve Jolliffe. Currently in its third edition, it consists primarily of interviews with filmmakers and case studies in filmmaking. The Handbook has become widely respected in the UK as a comprehensive ...
Production budget is a term used specifically in film production and, more generally, in business. A "film production budget" determines how much will be spent on the entire film project. This involves identifying the elements and then estimating their cost, for each phase of filmmaking ( development , pre-production , production, post ...
The production schedule is a project plan of how the production budget will be spent over a given timescale, for every phase of a business project.. The scheduling process starts with the script, which is analysed and broken down, scene by scene, onto a sequence of breakdown sheets, each of which records the resources required to execute the scene.
Film budgeting refers to the process by which a line producer, unit production manager, or production accountant prepares a budget for a film production.This document, which could be over 130 pages long, is used to secure financing for and lead to pre-production and production of the film.
The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded.
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
The Cinema Book is a film studies textbook edited by Pam Cook and first published by the British Film Institute (BFI) in 1985 as a resource for teachers. The first edition was based on the BFI Education Department's collection of film clips for use as study guides.
The process of film permitting can often make it difficult for independent and amateur filmmakers. Filming in large cities is generally more tightly controlled. Less populated areas may waive fees or have looser requirements and regulations, either because filming is less frequent, or because they hope to attract more production. [2]