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"Va tacito e nascosto" (Italian; translation, "Silently and stealthily") is an aria written for alto castrato voice in act 1 of George Frideric Handel's opera Giulio Cesare in Egitto, composed in 1724 to a libretto by Nicola Francesco Haym. Sung by the character Julius Caesar, it features extensive solos for natural horn.
First edition of July 1724 printed by Cluer and Creake. Giulio Cesare in Egitto (Italian: [ˈdʒuːljo ˈtʃeːzare in eˈdʒitto,-ˈtʃɛː-]; lit. ' Julius Caesar in Egypt '; HWV 17), commonly known as Giulio Cesare, is a dramma per musica (opera seria) in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724.
O'Ferrall would oversee numerous broadcasts of Shakespearean extracts over the course of 1937, including Mark Antony's funeral speech from Julius Caesar, with Henry Oscar as Antony (11 February), [10] several scenes between Benedick and Beatrice from Much Ado About Nothing, featuring Henry Oscar and Margaretta Scott (also 11 February), [11 ...
And the text is heavily cut: Othello's first words are his speech to the Senators from Act 1 Scene 3. [251] [252] The film was critically panned on its 1955 release (headlines included "Mr Welles Murders Shakespeare in the Dark" and "The Boor of Venice") but was acclaimed as a classic upon its re-release in a restored version in 1992. [253]
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Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text. Othello public domain audiobook at LibriVox Cultural references to Othello at the Internet Broadway Database – lists numerous productions.
English: James Earl Jones performs from Shakespeare's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009. Note that the description at Whitehouse.gov claims here this performance is in the public domain.
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.