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Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the ...
The original use of the term "parody" in music referred to re-use for wholly serious purposes of existing music. In popular music that sense of "parody" is still applicable to the use of folk music in the serious songs of such writers as Bob Dylan, but in general, "parody" in popular music refers to the humorous distortion of musical ideas or lyrics or general style of music.
Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. [1] [2] They had a resurgence of interest in the 1950s and 1960s. [3]
Mark Russell also created political parody with popular music. Writers of contrafacta and parody tried to emulate an earlier song's poetic metre, rhyme scheme, and musical metre. They went further by also establishing a close connection to the model's words and ideas and adapting them to a new purpose, whether humorous or serious.
Silence! The Musical; Simpsoncalifragilisticexpiala(Annoyed Grunt)cious; South Park: Bigger, Longer & Uncut; Spamilton; Spank! The Fifty Shades Parody; Stars Over 45; Steamroller Blues; The Stoned Guest; Stutter Rap (No Sleep til Bedtime)
In the sense considered here, the term parody mass applies to masses where a polyphonic fragment from another work is used as the basis of a new composition. The term imitation mass has been suggested instead of parody mass, as being both more precise and closer to the original usage, since the term parody is based on a misreading of a late 16th-century text. [1]
The first uses of comedy in music can be traced back to the first century in ancient Greece and Rome, where poets and playwrights entertained with puns and wordplay. [9]The origins of comedy play in ancient Greece are first recorded on pottery in the 6th century BCE, on which illustrations of actors dressed as horses, satyrs, and dancers in exaggerated costumes are painted on. [10]
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