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In poetry, metre (Commonwealth spelling) or meter ... An example is the Arya metre, in which each verse has four lines of 12, 18, 12, and 15 morae respectively.
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French alexandrine; Polish alexandrine
Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
In poetry, a monometer is a line of verse with just one metrical foot. Example ... [1] Thus I Passe by, And die: As one, Unknown, And gone. See also
Most classical Persian poetry has only one metre throughout the poem, but one kind of poetry, the ruba'i (quatrain), mixes two metres, one pure ionic (or choriambic) and the other with anaclasis. A ruba'i can be in one metre or the other, or a random mixture. The form with anaclasis is the more common.