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Bouzouki, Octave Mandolin, tenor Mandolin (US), tenor Mandola (UK), Zouk Ireland Irish bouzouki is an octave mandolin with the two lowest courses tuned in octaves instead of unisons. "Modal D" octaves can also be tuned in unisons.
This tuning was called the "European tuning" by Markos Vamvakaris, who mentioned (but failed to describe) several other tunings, or douzenia, in his autobiography. [14] The illustrated bouzouki was made by Karolos Tsakirian of Athens, and is a replica of a trichordo bouzouki made by his grandfather for Markos Vamvakaris. The absence of the ...
The Irish bouzouki (Irish: búsúcaí) [1] is an adaptation of the Greek bouzouki (Greek: μπουζούκι).The newer Greek tetrachordo bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men, who retuned it from its traditional Greek tuning C³F³A³D⁴ to G²D³A³D⁴, a tuning he had pioneered ...
There are three pairs of strings, tuned to D 3 D 4 –A 3 A 3 –D 4 D 4 or D 4 D 3 –A 3 A 3 –D 4 D 4. The strings are made of steel. [1] [2] Physically, the tzouras resembles the bouzouki, with a similar neck and head, but stands out due to its notably smaller body, resulting in a distinct tonal quality.
The Irish bouzouki is a very similar instrument, and is often confused with the octave mandolin, but an Irish Bouzouki has a longer scale length and a different tuning than the octave mandolin. Also, octave mandola is sometimes applied to what in the U.S. is a mandocello .
Baglamas tuning. The baglamas (Greek: μπαγλαμάς Turkish: bağlama), plural baglamades) or baglamadaki (μπαγλαμαδάκι), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the ...
A cittern tuning, such as C-G-c-g-c'-g'. [5] There are other tunings for the cittern. [6] Alternating fourths and fifths tuning, such as A1-D2-A2-D3-A3-D4. (ADADAD) This kind of tuning can also be called modal D or open D5 as it contains a D chord without a third. It is also used on other instruments, e.g. fiddle, mandolin and the Irish bouzouki.
In a 1985 interview with the American Frets magazine, Irvine had explained the origins of his bouzouki tuning: From the bottom string, I tune it G-D-A-D, a Johnny Moynihan mandolin tuning. The point being that if we were playing in G or D, there was a top string that could be struck at will.