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Most modern congas have a staved wooden or fiberglass shell and a screw-tensioned drumhead. Since the 1950s, congas are usually played in sets of two to four, except for traditional rumba and conga, in which each drummer plays one conga. The drums are played with the fingers and palms of the hands.
Smallest drum of the conga family Nyabinghi: See kété - okónkolo [9] [34] ikónkolo, amelé: Cuba: 211.26-813 Smallest batá goblet-shaped drum, made of wood and covered with skin, along with the itótele and iyá: oumalay [36] Trinidad and Tobago: 211.212.2 Cylindrical drums with double skins, middle-sized drum of the set with bembe and ...
Congas santiagueras include the corneta china (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. [1]
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
Bass drum; Dunun; Snare drum; Tom-tom; 211.212.2 Sets of instruments 211.22 Instruments in which the body is barrel-shaped (barrel drums) 211.221 Instruments which have only one usable membrane 211.221.1 Instruments in which the end without a membrane is open Conga; 211.221.2 Instruments in which the end without a membrane is closed
The quinto (literally fifth in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures.