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The fire started in the merchant shops around Rome's chariot stadium, Circus Maximus. After six days, the fire was brought under control, but before the damage could be assessed, the fire reignited and burned for another three days. In the aftermath of the fire, 71% of Rome had been destroyed (10 out of 14 districts). [2]
It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea .
64 – Great Fire of Rome, Italy; 79 – Lyon burned to ashes. [1] 406 – A great fire burns down much of Constantinople. 532 – The Nika riots result in the destruction of much of Constantinople by fire. 798 – London nearly destroyed. [1] 847 – Borgo, Italy, the area around Saint Peter's Basilica in Rome, was devastated by fire.
Lost artworks are original pieces of art that credible sources or material evidence indicate once existed but that cannot be accounted for in museums or private collections, as well as works known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.
Books and manuscripts were taken out of the synagogue and set on fire at Piazza Rattazzi. The burning of the Jewish books was a prelude to a mass arrest and deportation of the Jews themselves. A total of 48 Jews were deported from Alessandria, many of whom were murdered in Auschwitz. [156]
The other paintings in the room are The Oath of Leo III, The Coronation of Charlemagne by Leo III, and The Battle of Ostia. Though the Fire in the Borgo was based on Raphael's mature designs it was executed by his assistants, who painted the other three paintings without his guidance.
The Kenneth fire burns in the Upper Las Virgenes Open Space Preserve on Thursday, Jan. 9, 2025, in West Hills, L.A. Credit - Brian van der Brug/Los Angeles Times—Getty Images
The courtyard. The first floor shuttered windows correspond to a four-sided gallery, housing the collection's main paintings. Interior. The large collection of paintings, furniture and statuary has been assembled since the 16th century by the Doria, Pamphilj, Landi and Aldobrandini families now united through marriage and descent under the simplified surname Doria Pamphilj.