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Shakespeare's influence – in addition to his works, Shakespeare's legacy includes the ongoing performance of his plays, and his influence upon culture and the arts, extending from theatre and literature to present-day movies and the English language itself. Category:Adaptations of works by William Shakespeare
Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith.
A creation myth (or creation story) is a cultural, religious or traditional myth which attempts to describe the earliest beginnings of the present world. Creation myths are the most common form of myth, usually developing first in oral traditions, and are found throughout human culture.
The story was a popular one for dramatists in the early 17th century and Shakespeare may have been inspired by contemporary plays. Thomas Heywood 's two-part play The Iron Age also depicts the Trojan War and the story of Troilus and Cressida, but it is not certain whether his or Shakespeare's play was written first. [ 18 ]
Unlike Shakespeare's Lear, but like Hidetora and Sandeman, the central character of Uli Edel's 2002 American TV adaptation King of Texas, John Lear played by Patrick Stewart, has a back-story centred on his violent rise to power as the richest landowner (metaphorically a "king") in General Sam Houston's independent Texas in the early 1840s ...
An engrossing account of “how Shakespeare became Shakespeare” has been named the greatest-ever winner of the U.K.’s leading nonfiction book prize. James Shapiro’s “1599: A Year in the ...
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .
Shakespeare "thereby allows each play to create its own ethos and mythos and to offer its own hypotheses concerning the springs of action". [6] Where the chronicles sought to explain events in terms of divine justice, Shakespeare plays down this explanation.