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Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
A rictameter is a nine-line syllabic structure typically used in poetry. The lines start at two syllables, incrementing upward by two to ten in the fifth line and ending with the same two syllable word as the first line. [1] Because this form involves a fixed syllabic count, it naturally accompanies haiku and other fixed-syllabic poetry forms.
Blason: describes the physical attributes of a subject, usually female. [1] Circumlocution: a roundabout wording. Example: In "Kubla Khan" by Samuel Taylor Coleridge—“twice five miles of fertile ground” (i.e., 10 miles). Epistrophe (aka epiphora): the repetition of a word or expression at the end of successive phrases or verses.
Ordinarily, the first line is a one-word title, the subject of the poem; the second line is a pair of adjectives describing that title; the third line is a three-word phrase that gives more information about the subject (often a list of three gerunds); the fourth line consists of four words describing feelings related to that subject; and the ...
Poems by form (4 C) Poetic rhythm (3 C, 96 P) R. Rhyme (1 C, 46 P) S. Stanzaic form (1 C, 72 P) Pages in category "Poetic forms" The following 141 pages are in this ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Further, the first line of the first stanza is repetitive nonsense, and the second line of the first stanza is the subject of the poem, which in the purest instances of the form is a double-dactylic proper noun. (Hecht and other poets sometimes bent or ignored this rule, as in the Robison poem below.)
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.