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Two-part silicones use moisture in the second component as well as a cross-linker such as active alkoxy to cure the silicone in a process called condensation curing. Two-part silicones can also be platinum catalyzed in a "addition" reaction. [3] Other reactive species to facilitate cross-linking include acetoxy, amine, octoate, and ketoxime. [4]
PMC speakers: United Kingdom Polk Audio: United States ProAc: United Kingdom PSB Speakers: Canada QSC Audio Products: United States Quad Electroacoustics: United Kingdom (brand) Radio Shack: United States RCF audio: Italy Rectilinear Research Corporation: United States Rega Research: United Kingdom Renkus-Heinz: United States ReVox: Switzerland ...
In a multi-way loudspeaker system, specialized drivers are provided to produce specific frequency ranges, and the incoming signal is split by a crossover. Drivers can be sub-categorized into several types: full-range , tweeters , super tweeters , mid-range drivers, woofers , and subwoofers .
Early speaker from Vega Labs. Cerwin-Vega was founded as Vega Associates [4] (with later name changes to Vega Laboratories and then Cerwin-Vega) by aerospace engineer Eugene J. "Gene" Czerwinski (1927–2010) in 1954, [4] and became noted for producing an 18" speaker capable of producing 130 dB in SPL at 30 Hz, an astonishing level during its time.
2014 - The launch of the Rubicon series with inherited SMC technology from the Epicon series and in-house made woofers. The Kubik One sound system was added to the active Kubik family. 2017 - The launch of the Spektor series. 2018 - The launch of the Oberon series, marketed as entry-level speakers which include SMC technology.
The flagship 1000 model consisted of a radial bridge that took all the mounting stresses, and a 3-ply thin maple shell to enhance the resonance. The 750/751 series had composite bridges and stained 4-ply thin maple shells. The 500/501 series had composite bridges and wrapped 5-ply North American thin hickory shells.
The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range. Well-designed solid-state amplifiers and CD players may have a frequency response that varies by only 0.2 dB between 20 Hz to 20 kHz. [4] Loudspeakers tend to have considerably less flat frequency responses than ...
Driving both speakers is recommended, as this stimulates low-frequency room 'modes' in a representative fashion. This means the microphone must be positioned precisely equidistant from the two speakers if 'comb-filter' effects (alternate peaks and dips in the measured room response at that point) are to be avoided.