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Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery art film written and directed by David Lynch. Its plot follows an aspiring actress ( Naomi Watts ) who arrives in Los Angeles , where she befriends a woman ( Laura Harring ) who is suffering from amnesia after a car accident.
The scenes inside the Fireman's house were filmed inside the Tower Theatre in Los Angeles, a location Lynch had used in Mulholland Drive (2001). On set, Lynch showed Joy Nash how to hold the Laura Palmer orb, kissing it and giving it "so much love" before letting it go; he also demonstrated to her how to walk through the theatre, with bouncing ...
In the early 1950s, a four-man squad of LAPD detectives, frustrated with the rules and weaknesses of the legal system stopping them from more aggressively battling crime, commit an extrajudicial execution when they toss Jack Flynn, a powerful gangster from Chicago, off a cliff on Mulholland Drive, nicknamed "Mulholland Falls" for all the criminals they have thrown to their deaths.
David Lynch has died at the age of 78, his family announced on Thursday, Jan. 16. "It is with deep regret that we, his family, announce the passing of the man and the artist, David Lynch. We would ...
David Lynch, the visionary filmmaker renowned for works like Twin Peaks, Mulholland Drive, Eraserhead and Blue Velvet, has died. He was 78. In 2024, Lynch disclosed that he had been diagnosed with ...
Naomi Watts’ famous masturbation scene in the 2001 David Lynch film Mulholland Drive is seared into the actress’ brain, but not for the reasons you might think. Her unshakable memories center ...
San Fernando Valley at night from Mulholland Drive. The 21-mile (34 km) long [1] mostly two-lane, minor arterial road loosely follows the ridgeline of the eastern Santa Monica Mountains and the Hollywood Hills, connecting two sections of U.S. Route 101, and crossing Sepulveda Boulevard, Beverly Glen Boulevard, Coldwater Canyon Avenue, Laurel Canyon Boulevard, Nichols Canyon Road, and Outpost ...
In his view, the episode's blending of surrealism and horror was similar to scenes from Lynch's 2001 film Mulholland Drive. Phipps described the climactic murder as "one of the most disturbing moments in the Lynch filmography", adding that it was a recurring Lynchian theme to represent the end of innocence as an actual death. [29]